- #ART SIMILAR TO THE SUFFERER AND THE WITNESS HOW TO#
- #ART SIMILAR TO THE SUFFERER AND THE WITNESS FREE#
I try to block off at least a couple of days a week where I don’t have meetings and have studio days, but sometimes they’re just days to catch up on processing what’s been discussed in the meetings. I’m very much in a conceptual mode right now. Since the Times Square project, I’ve been talking to people around the world to build public artwork, about possibilities in their towns. I have meetings because I’m doing proposals right now for new public artworks. Grant proposals give me a writing prompt it helps me to think about and articulate my work, and I get a lot of new ideas from doing that. It’s a lot of conversations and meetings, and research and writing. If it’s nice out, I usually do it outside on my patio. Sometimes I write a page in two minutes and sometimes it takes me 45 minutes to do a few pages. It’s like putting a spreadsheet on my brain, it organizes my thoughts, and I worry less about things throughout the day.
#ART SIMILAR TO THE SUFFERER AND THE WITNESS FREE#
She says to do three pages of free writing every day. The journaling is inspired by Miss Julia Cameron and The Artist’s Way. Sometimes I journal at night, but only if there’s some action that happened. I have sketchbooks and journals and I probably write 60 pages every three weeks or so. I journal in the morning before or after my coffee walk, or sometimes both. But my day is changing because I just hired an assistant, so I have a check-in with her around midday. I walk one mile to get coffee, one mile back. It’s just because it’s a nice little walk to get me cleared and going.
#ART SIMILAR TO THE SUFFERER AND THE WITNESS HOW TO#
When I’m home, I usually walk to my local coffee shop to get my coffee-I love a hot Black Americano with lavender syrup and a few ice cubes- and that’s not because I don’t know how to make coffee. When I’m here, I wake up, stretch, make some coffee, check my internet things, and have some breakfast, usually yogurt with organic blueberries. I like to have meetings and talk to people in the afternoon. I’m most productive for solo work early in the morning and later at night. So, people who are not morning people call me a morning person, but I also am fine with staying up late, too. Once I’m awake, if there’s people around, I’m social from the minute I open my eyes. I usually wake up around seven in the summer and eight in the winter.
Here, I sleep in a little bit more, and take my time getting out of bed and getting downstairs to make breakfast. When I’m home (in the Bronx, New York), I usually shoot up out of bed-I have a big skylight, so the sun wakes me up-and I start getting distracted by my stuff immediately. They chose me because I’m a visual artist working in installation, and because Ed has these fountains here, and I was really excited about that. It’s special to be able to get out of my usual urban environment and into a place that is an installation artists’ playland. I’m on the property where Ed lived and worked and created about 30 installations, all outdoors.
It’s just getting started-it’s run by the Harpo Foundation, which is the artist Ed Levine’s Foundation. I’m in rural Vermont, at a residency called Back River Road residency. “And they’re just fun to watch.”Ī sleep apnea sufferer and a lover of both mornings and nights, here’s Council’s daily routine and sleep diary while staying at an artist residency in Vermont (where they reached ‘Peak Artist’) as told to writer Tricia Romano. So that’s how I got to fountains,” Council says. I could also continue to talk about the body because they’re so dynamic with fluids. And through fountains, I could challenge institutional notions of care, because they’re such high-maintenance objects. “They are a meeting place, they are something that people return to, they’re hopeful. “Fountains are a great way to make an offering to the public,” Council says. I thought that now is a good time for this because anyone who was able to witness the fountain during the pandemic is a survivor.”Ĭouncil (they/them) loves the chance encounters people have with their work when it appears in public spaces. “9-11 survivors, people who talk about colonialism and post-colonial survival, a climate refugee who’s dealing with an ecological sense of survival.
“Because I love oral history and gossip, I did some interviews with different people who work with survivors of all different backgrounds,” Council says. Called “A Fountain for Survivors,” the fountains were inside a womb-like structure made of resin and foam the electric pink and purple sculpture was covered with a mosaic of 400,000 acrylic nails. Bright colors spiral out of their fountains, like the one in Council’s most recent fountain commissioned by Times Square Arts in New York City and on view from October 2021 through December 2021. Pamela Council’s art is playful and evocative.
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